SETACEOUS

Setaceous
Written & Directed by Tel Benjamin
2017, Australia

A late-night car alarm turns out to be much more than an annoyance to the residents of a suburban neighborhood in this well-made piece of automotive terror from short form veteran Benjamin.

The filmmaker next made the futuristic short film The Obscure (2018).

 

THE HORIZON PROJECT

The Horizon Project
Directed by Scott Belyea
Written by Zack Mosley
2013, Canada

Uninfected survivors of a devastating pandemic are thrown into a nightmare scenario while being transported to a safe haven in this extremely relevant short film.

Director Belyea also made the apocalyptic short film Children of the Dark (2011).

The Horizon Project makes a great double-feature with Ashlea Wessel’s Tick.

 

 

ARCANA

Arcana
Written & Directed by Jeronimo Rocha
2015, Portugal

With the accomplished space horror short Dedalo under his belt, talented auteur Rocha turns his attention to the supernatural with this creepy film about an imprisoned witch.

As the ongoing sound after the final fade-out suggests, there’s a lot more story to tell here.

Rocha is planning a feature film version of this, which is definitely cause for excitement.

PREY

Prey
Written & Directed by Bill Whirity
2019, USA

A first date quickly spirals into madness but, as is the case with many horror short films, all may not be as it seems.

Prey is slick, memorable work from Whirity, who also made the horror shorts Semblance (2014) and Below (2015).

THE STOMACH

The Stomach
Written & Directed by Ben Steiner
2014, UK

Offbeat auteur Steiner follows up the superlative vampire short The Flea with this memorable tale of a spiritual medium and his unusual abilities.

A mixture of horror movie and crime film elements, Steiner very accurately refers to The Stomach as “supernatural noir”.

This unique story idea deserves the feature film treatment.

A QUIET MOMENT

A Quiet Moment
Directed by Martin Bruyere & Steve Villeneuve
Written by Tatjana Mahdi
2016, Canada

A woman enjoys a peaceful evening at home.  The baby monitor is on.  What could go wrong?

This is a slick, slow-burn piece with excellent cinematography and sound work.  As the classification I chose for this short makes clear, I consider A Quiet Moment to be a psychopath horror film.

But it could be something else as the film displays the kind of creepy ambiguity that only short form horror can really pull off.

This one pairs nicely with Christian Cueva & Ricardo Farias’ Voces.

NUMBER 15

Number 15
Written & Directed by Daelan Wood
2017, Canada

After discovering a hidden camera in her apartment, a young woman gets a life-changing knock on her door.

This early work by veteran short filmmaker Wood is a great example of the type of horror short film that can be enjoyed and appreciated on its own but also plays like the first scene of a feature film that I’m sure would be much more intense and a lot less goofy than Jason Lei Howden’s Guns Akimbo (2019).

Wood also made the horror shorts Hello Quinn (2017), Timebox (2017) and Rearview (2018).

Number 15 is not Wood’s slickest work but it is still highly memorable.  This one makes a good pairing with Victor Garcia’s T is for Tiles.

 

OSCAR’S BELL

Oscar’s Bell
Directed by Chris Cronin
Written by Chris Cronin & Sam Cronin
2018, UK

A camping trip takes a very dark turn in this award-winner from veteran short filmmaker Chris Cronin.

Delivering an excellent piece with almost no dialogue (cinema’s most overrated element), Cronin uses a slow-burn approach and superb sound work to create genuine suspense.  Oscar’s Bell has a bit of a 1970s feel to it, and that is intended as a major compliment to this talented director.

TICK

Tick
Written & Directed by Ashlea Wessel
2018, Canada

Set in a bleak near-future, a young woman with biological characteristics that make her a feared outsider tries to avoid capture by government agents.

Auteur Wessel, who previously made the horror short Ink (2016), delivers a fresh take on a familiar horror antagonist that demands to be watched more than once.

Tick also cries out for feature-length treatment.